*** limited vinyl copies*** comprised of former members of hercules and love affair, new york citys jessica 6 has been commanding dance floors for years, globetrotting from london to miami, san francisco to santiago, bergen to belgrade, seducing the dancing, sweaty masses with an electrifying blend of disco, soul and r&b.
see the light opens with a classic-in-waiting, the behemoth of a single, >white horse<, that forces you to move like a witch doctor would. >champagne bubbles< is the kind of gritty r&b that isnt afraid to be as angry as it is melancholic, its piano flourishes punctuated with a heavy kick and snare. >prisoner of love<, which bridges electro and freestyle, featuring a soaring vocal melody that finds nomi and guest vocalist antony weaving their voices around each other to a stunning effect.

>and i heard a strange deep sound. as i got closer to that particular place, the music took a more stable form…i thought i already knew this sound from somewhere<… welcome to the musical world of exciting new amsterdam based producer simon weiss. coming over all early theo and moodymann-esqe, he clearly demonstrates a passion for all things detroit in terms of mood, melody, rhythm and texture. half bouncing feet, sweaty walls and concrete floors, half sophisticated, futuristic movie soundtrack score …simon weiss fits the description of a home taper absolutely perfectly. dance to it, close your eyes to it, but whatever you do listen to it. 100% house music with bits. play it all night long!!

ladies and gentlemen, welcome back to the shimmy sham sham sessions. fall is knocking at the door. dancers bathe into the red sunsets hoping to squeeze the very last drop out of summers bliss. they know theyll soon have to haul their tropicana scented butt to reality… but in the meantime they gaze upon those last three months of love and dreams. half stunned, they let their mind wander across the meanders of the promising days to come. time has stopped. the beat keeps on rolling, and those words swirl and resonate in your head: >pony loves the sun, to touch her back and see her run…< in the heat of the night, let those sweaty numbers melt your worries. no top hat and gator shoes required…just shake that ass!

something - a raw & pure monster of a track is not wasting any time for shifting layers or building up loads of unnecessary things. once the needle scratches the surface of the record > something< immediately unfolds its strength and power. thus, the suddenly emerging voice sample that sounds kind of scary easily creates an atmosphere like being morphed into a party of ghosts and dungeons going nuts while listening to this ultraphat hypnotic techno-tune from berlin. this track guarantees the full amount of peak time pleasure and sweaty walls inside the top clubs around the globe within the next months. for the flip-side freakshows 24th release delivers a very special remix version which does not need to hide behind the original. techno music veteran literon is contributing his creativity and production skills that he has been developing since he entered the scene almost 2 decades ago

limited edition , a classic club landmark, > moonwalk< is reissued here as the latest installment of slow to speaks core series, a fine testament to the expansive, totally-mesmerizing sound of authentic deep house music at its point of inception in the sweaty, blacked-out club-spaces of the ny metro-area and beyond.

in recent times it has been fashionable for european producers to try and recreate the classic sounds of detroit. the true vibe and feel can surely only come from the city itself? as his name suggests, whilst we know very little about anonym, we do know that he hails from the legendary motor city, and the true essence of his home town can be heard and felt in his music. classic sounds constructed with a modern touch. gritty, raw and crying out for sweaty basements. in 2011 anonym has finally arrived on vakant and is set to release his first record on the label. his > flivvers vol.1 ep< will be followed by vol.2 later this year.

the third release on the world unknown label is a very meaty affair that coincides with the second birthday of the club night in brixton. on side w timothy j. fairplay fuses ancient egypt with late 80s belgium and drops it slap bang into the near future with the monolithic techno beast that is >cleopatra loves the acid<. its already been played in discos and on the bbc by andrew weatherall, for whom tim handles engineering and co-production duties in his day job, and is set to become a pounding anthem on the more adventurous dancefloors over the coming months. side u is a more throbbing psychedelic affair. kalidasa is the production alter-ego of tim rivers who runs the always excellent theacidhouse.com website. it<s exactly the kind of heavyweight midtempo tune that causes sweaty pandemonium at world unknown. if the word balearic still meant now what it did to from 87-92 then thats precisely what youd call this, most likely with the prefix >heavy<. but it doesnt so you cant, or can you?

elektro willi and his son are back. two years on board of a club cruise ship - thats enough. dad, we go ashore! sure, it was only a small step from selling washing-machines via the more or less obscure music industry to club ship animation. but sometimes even the most spectacular evening dinners, the most exciting special guests become boring. you just want to pull of your sweaty vinyl-showsauna-suit and get back to your origins: e.g. selling washing-machines. but without melancholy: on the aida, the willi-show became improved, in mediterranean nights, a new album was drafted into the starry sky.

chris duckenfield has done more than a few laps around the acid house track producing and djing since the late 80s, and achieving success through numerous music projects, rac on warp, as swag with richard brown through the 90s and more recently with his popular peoples front & duckbeats aliases. >i really do believe< joyously straddles the disco & house worlds, a rollicking metalic riff, soaring etta james vocal samples, a healthy dose of acid and a serious low end - constructed for sweaty basements & causing a major stir with a few choice drops at the recent electric elephant festival in croatia. new and super talented producer chicagodamn provides a superb remix on the flip, taking the key elements of the original to a strobe-lit warehouse destination in fine style!

london based james what is a well known musician treading the more left-field and creative end of the tech house spectrum. his numerous eps alongside dan berkson have become poker flat classics in recent years and so we are happy to welcome him in his first solo effort for the label. lead cut >it feels wrong< fuses classic analog bass with lively synth work and satisfyingly complex question-answer passages that whisk us away into a sweaty, late night vibe immediately. berlin based lord of the witching hour lee curtiss adds his touch on the remix side with a killer acidic treatment of >it feels wrong<. tense, soulful and teasing, this warm and super playable version will no doubt find its way to freaky dancefloors everywhere. >in the dark< slowly builds edgy, spooky elements in a deep, dark and sexy trip. combining smooth chords and keys, with trippy synths and sinister vocal snippets, whats bright and clear production works wonders in this slow-burner.

eric duncan (of rub n tug fame) drops release number four in his keep it cheap series - this time inviting the ever on-point justin vandervolgen (tbd) to take care of b side duties head and shoulders above the glut of edits out there, these dig much deeper & are purpose built for sweaty club use, and not to tantalize bedroom bloggers. as with the cult combi series, we expect these to sell out in a matter of days - 300 copies only.

seventh release on the ever essential imprint from those lovely people over at the acclaimed sleazybeats blog. italian newcomer la tuerie seriously drops the tempo on his debut release for amsterdams sleazy beats recordings with four slowburning beatdown disco and boogie tracks that scream for sweaty basements and sunkissed beaches. if you’re into the super value series you’ll love this record.

exploited serve an ace from consistent, a group of well known producers working under the cloak of anonymity. previously having released on frontroom and boe with remixes for tartelet and man recordings, consistents track >feeling high< dices vocals and disco vibes into a house heavyweight something like hot city meets soundhack, coming with certified anthem status. get involved for the polished berlin-meets-chicago modernism thatll get you sweaty as a taxi drivers neck in july. its difficult to say whether this is tech house or deep house, strictly speaking, but either way the title track bumps. it funks and, although were told it comes from berlin, its damned chicago. this is the 2nd single from consistent (remember aint no bump?) on exploited. early support by kink (rush hour), optimo (jd twitch), laurent garnier (f-com), dj t (get physical), dj hell (gigolo), erol alkan (phantasy), brodinski (turbo), feadz (ed banger), round table knights (made to play), ian pooley robert dietz (cecille), till von sein (suol), adam port (liebe*detail), lee jones (watergate), stuffa (trunkfunk), mosca (nightslugs), lazer sword (stonesthrow/numbers), pezzner (freerange/om), acidpauli (console/notwist), jamie anderson (artform)

its been 2 years since benny rodrigues last release on be as one and since then, the young dutch producer has pushed forward his career, both in the studio and in the dj booth. having remixed people like josh wink, dj pierre, justice, spirit catcher to name just some and released on ovum, poker flat, figure, klockworks, with a busy dj schedule in clubs as berghain or rex, at his young age benny is clearly a well respected artist. benny rodrigues interpretation of acid house takes the form of i like acid, and surely it sounds classic! acid synth madness like in the old days but with an updated touch to rock the floors in 2011. choice hypnotic appeal will not get unnoticed on the floor, once again a track that finds its strenght in the basic structure of its arrangement, effective drums patterns with a freakish top line that carry the track into peak time. steve rachmad remixes as sterac are always a treat, and here the techno legend doesnt fail to impress once again with his take on bennys i like acid. snares, hi-hats, rides and bass, all arranged to build up to a melodic and emotional breakthru, dancefloor bliss for the detroit techno heads. to close this amazing package, germanys own mike dehnert brings his trademark sound to be as one in the form of his remix of i like acid. a tune that finds its perfect habitat in dark, smokey and sweaty rooms with massive sound systems.

al kent continues his quest to bring his definition of disco to the ears of the world with another killer three tracker. >be my baby< is an uptempo disco monster – dope bassline, rhodes and wah guitar with nice loud hihats for full dancefloor appeal. >sun shine down on me< is a dark, sweaty, latin disco beauty soaked in strings, horns and rhodes piano. think that says it all. >time is moving< picks up where a1 left off, with the addition of strings and occasional vocals to wrap things up. million dollar disco is loved by dimitri from paris, pat les stache, solid state, cosmic boogie, greg wilson, peter adarkwah, the dead rose music company, horse meat disco, nik weston, chris harris and many many more..

original house-master maurice donovan pulls out his 808 and lubes up his reel-to-reel for two muscular, sweaty, stripped-to-thebone trax on sssss.

wandler has been putting his distinctive musical stamp on zurichs techno map for many years now. his euphoric and yet deep and straight dj & live sets regularly turn the crowd in an addictive madness. just in time for the comeback of his home label motoguzzi records, he delivers an uncompromising release with two strippeddown dark tracks for the sweaty floors. pure rhythmic soul confessions! charted by d.diggler, dubfire, gel abril, james holden, jeroen search, john selway, m.a.n.d.y., matthias schaffhäuser, lucy ...

one of the west coasts favorite producers meets one of the west coasts leading labels. sfs dj rasoul (soulfood, large, naked music and many others) drops a gorgeous laid-back soulful houser, anchored by a nice vocal and rasoul’s trademark big bass and chunky drums. plenty of mixes to work with here, including the lush main mix, an alternative and a dub. lazy, groovy deep house for those extra sweaty dancefloors.

for this project the barking dogs rework two tracks by jessie evans, adding their producing skills to her post-punk sax and vocals lines and giving us two old school burning, sweaty killers. the pack is complete with remixes from a couple of hot names on the scene. altz with his enormous, mad remix (something really unique, we where stunned when we first listened to this one) and the deep acid version from rune lindbaek & mental overdrive.
support from: prins thomas, todd terje, jd twitch (optimo), trevor jackson, severino (horse meat disco), sam proper, italoboyz and many more ...

with the highgrade disharmonic orchestra, the berlin label has in the last year, found itself taking a somewhat new direction. todd bodine, tom clark, philip bader, daniel dreier and dale have bundled their musical creativity together and shown audiences at watergate and other key locations in the capital city, their authentic and premium quality live performance and let club-goers connect with their very unique and exciting brand of musical experimentation. this unique live atmosphere now comes to you as an ep release. three tracks that exude the groove of a sweaty night on the dance floor

eric duncan (of rub n tug fame) drops number three in his keep it cheap series - this time inviting underground uk disco hero foolish felix dickinson to take care of b side duties. head and shoulders above the glut of edits out there, these dig much deeper & are purpose built for sweaty club use, and not to tantalize bedroom bloggers.
as with the cult combi series, we expect these to sell out in a matter of days - 300 copies only.

crazy p return to 2020vision with their first new material since the stop space return album. the mts series is a chance for jim & chris to get back to basics and produce some club tracks for their in demand dj sets, before they reconvene with the rest of the band for their next album. already making waves with both of their soloexcursions (ron basejam and hot toddy), they team up here for two perfect examples of their trademark disco and house vibes. crazy p are quite rightly held in great esteem from some of the hippest names around, wolf & lamb, jamie jones and tensnake to name three. they have been ploughing their own deep disco furrow for many years waiting for fashion to catch them up, and now can take the plaudits for being figureheads of this uk scene. my love is a superb raw house cut, thats custom built for sweaty basement sessions, influenced by classic us house. make me wanna takes a moreunk riffs and diva vocals. both of superb examples of the amazing crazy p sound and have had unanimous glowing feedback from the few people lucky enough to have heard them so far

with his debut release on highgrade, >never end<, artist and producer andri has already proven his sense for captivating rhythms and driving beats. it is no accident that the swiss producer spent his childhood swinging the drumsticks and is now bringing his enthusiasm for those beats to the dancefloor. andri is known well beyond the borders of his native switzerland for his energetic and sweaty live performances, which always include new tracks for the floor. with his live sets he aims to encourage more than just wiggling movement – he tries to incite the party freak, to inspire a >technoid mind state< where people want to dance like crazy, all night long! as he says himself: >the people on the dancefloor should be able to experience the story of my sets and completely forget themselves.< but andri is not attempting to be a hyper intellectual sound director, and while his sets and tracks are carefully composed, they also retain a sense of humour. this is the case with his new highgrade release: >up lantis<. the three tracks - >up lantis<, >come to me< and >mr. groove< skillfully play with original samples, crackling beats and sexy basslines. they develop a very unique field of tension, punctuated with a lot of fun filled andri trademarks: this is the dictation of groove

release number 4 on the scruffy militant wing of the beloved popular peoples front label !! this time around we have a raw, stripped down & acid fueled workout from manchesters miguel manzano. its shot through with the original spirit of late 80s warehouse jams, but rendered in glorious 21st century sonics. on the flip the popular peoples front head back into the dimly lit, sweaty melting pot of chicagos house music past and conjur up a future-retro throwdown of epic proportions

well rounded are extremely excited to announce the imminent unleashing of the 2nd instalment in our r&b refix special series. ladies and gents - cash antics vol 2. this time round we bring you 4 separate artists take on remaking r&b in their own inimitable ways. first up deadboys >fireworks< edit has elicited a massive response already on forums and blogs, its simple house framework lending extra soul, gravity and impact to the beautiful vocals and piano. incredibly effective and affecting stuff. on track 2 gongon & bad autopsy (ptn / ramp) showcase their stripped back luminous garage informed sound on >mag (remix)<. the contrast between the bare bones beat, warm sub tones, hovering chords and earnest vocal make this a highly addictive tune. watch for future releases from these guys. flip the plate for skinnz and his steamy half-step selection >turn u on<. already a regular feature in deadboy dj sets, this wastes no time in seducing the listener with a breathless panting vocal riding a bumping beat, bouncing bass and sweaty synth work. this tune is hot and heavy! finally gatto viola & doc daneekas >backstabbin angie< wraps things up with nakedly emotional vocals riding a uk funky updated take on a classic 70s philly soul groove. a natural closer for a fantastically varied ep united with a common purpose - to drop honey-dipped r&b voices and vibes into the epicentre of new uk bass music fusions.

track 5, a previously unreleased single meant for >the days of mars< album, but ultimately deemed out of place on the record, begins with the slow reveal of a repeating electronic ring atop a rising, falling, sine-curving synth. with each additional layer—a piercing, urgent synthesizer, a deep, continuous, ever-expanding rumble, the sound of a guitar, awash in reverb—the atmosphere thickens. its both restless and placid, anxious and tranquil. just over ten minutes in length, the track closes with a chorus of high-pitched synths that fade to a sparse, darkened end. this 12-inch, very likely gonzalez and russoms last, also features a remix from Âme, comprised of germanys kristian beyer and frank wiedemann. the house duo wholly transforms the a-side into a track so unrecognizable it seems brand new, taking it far from the introspective dreamworld to a dance party in the sweaty, blissed-out, wee hours of the morning

own meets the 60s with the naughties. its throbbing drum rhythm and soul-laced vocal make this a certain smash for those hot, heavy and sweaty nights. finally the much shought after remix of riva starr is available on a ltd produced stamped vinyl

up and coming portuguese dj kaspar with a sweaty dubby house track and gerd in the remix! coming on clone club series which previously had the classic release by mina jackson and mike dunn. the original version takes a more dubby laidback approach with deep bass lines and a nice loose groove. gerds old school mix continues the early 90s house tradition of reshaping, covering, re-playing classic basslines or hooklines to spread the good vibes. sharp and tight remix that delivers big time. club house music in its best tradition!
comes on clear / dark blue marbled vinyl.

already supported by : sebo k, jimpster, terry francis, brotherss vibe, pawas, darren rock, crowdpleaser, pol_on, till von sein, anthoy collins, ed davenport, nils nürnberg ... 3 tracks recorded in the sweaty attic studio of lump (of contexterior, brut and amplified fame) in lisbon. no digital delays or fancy plug-ins! the warm sounds were mixed through a dusty 16 tracker with a pinch of salt and a whole lot of soul on top... bang! the feeling ep was done! enjoy!

hot off the heals of their last release, blackdisco is back with another friend from the deep. a great tastemaker and all-around record freak, sebastian grätz aka basso, digs up some high class nuggets to round out the summer months. these four tracks conjure imagery of long nights in sweaty jazz-funk speakeasies from the darkest corners of the globe.

eddie c comes from canada and has been enjoying house music since 1987. his refreshingly old school approach has led to some mighty fine releases over the past few years on jisco music, 7 inches of love, flashback, wolf music, need want, sleazy beats, kolour and many other top imprints earning him a well deserved and growing reputation as a top producer and dj. for his debut release on home taping he kicks things off in trademark style with the sample driven, moody groover ætell meÆ. next up he flicks the switch and whips up a stompinÆ house workout on the get-down-and-sweaty warehouse grooves of æorganizedÆ. on the flip, rising aussie house maestro tornado wallace takes ætell meÆ one step deeper into basement territory and works it into an epic nu school refix. and finally, a cheeky vinyl only hidden track ædub up the editÆ provides an essential dj tool. 100% house music from two producers on top of their game.

support by: andy cato /groove armada, marcus worgull,jimpster,shur-i- kan, thomas schumacher, john acquaviva, luke solomon,chris duckenfield and many more… germany vs. finland on pooledmusic. ian pooley welcomes moodmusic supremo, sasse, into his studio for a tasty collaboration. skippy beats and a big, bad, boogie bassline provide the rhythm track for the main mix of -to my room-, an evolving and at times, cosmic, deep house cut, with a clipped vocal sample to drive the stabby melody and freestyle keys. the dub mix ploughs deeper and more emotive, with its tugging strings and reverberating stabs. perfect tackle for those dark and sweaty late nite session

duijn & douglas return to nowar for their second release >quiche l hik<, this time teaming up with vocalist berenice, and anonym on remix duty on the flipside. >quiche l hik< is a solid dancefloor work-out that will get you hooked from the very first beat. the rolling bassline simply sucks you into a hipshaking groove, funked up by tight oldksool tush-moving hihats. the whole thing builds up to berenices warm and sexy vocals and a most funky chord progression that will glue you to the dancefloor. this cut is a full body and soul work-out! on the flipside detroits anonym pushes it into a more throbbing affair. raw, stripped to its sexiest parts and with slightly warped chords, the remix is a sweaty and sultry groover, mentally gripping, simply good ol fashioned house! this release perfectly reflects what nowar is about, deep and raw house music.

if you thought you knew what jesse rose was about think again as he swings from the big room banger of >(where were you) last night< across to the filtered house vibes of >non-stop<. one minute we are at a shutters open moment at panorama bar, the next grooving in a sweaty disco basement

dirtybird has always been synonymous with sweaty bass-lines, fun ideas, and bumpin funk. this 5 year label birthday package is a celebration of both individuality and achievement as one of americas quirkiest imprints arrives at its first big milestone.

the first teaser from the long awaited second album of phil mison (aka cantoma) comes in a true idjut boy haze. reminiscent of early u star at its best, their remix of >north shore< is one of the most locked-in grooves we have heard for some time. the vocal version sucks you into an almost trance like fashion and is purely made for the late night hours on a sweaty dancefloor. hearing this on a big system is truly a spiritual experience. the instrumental ties down an amazing second 12 inch for leng and gives us further excitement on the release of the second cantoma album. simply terrific.

sustaining a standard of quality underground music, rippertons perspectiv has again picked fresh talent for their next release. canadians jonny white and james teej joined forces in the studio to share their passion for a stripped back sound of intense house tracks. at just over eleven minutes, narco balada casts a deadly spell of inertia that transports the listener to the endless depths of club. pure club tracks that reveal their beauty and power on a sweaty dancefloor in the darkest hours of the night.

despite dfas disco pedigree, the juan macleans dj-kicks mix is a love letter to straight-up house music. its a driving, sweaty session thick with pumping keys, chunky drum-machine beats and chopped vocals, and it cuts confidently through the sweetest hour of dancefloor communion with filters billowing like sails. recorded specifically for the mix, the juan macleans new single >feel so good< is a perfect distillation of that vibe.

bristol-based kss black records are proud to present their second vinyl release:
a: holdtight ? blackstone ? holdtight make a welcome return with a rollicking slab of lo-fidelity sci-fi drum & bass. a steely backbone of percussion provides the skeleton to which a gut wrenching sub line and precision cyber-bleeps are built. full of atmospherics and stabs blackstone offers up a master class in layering grooves to capture the crowd. this one wont stop until it gets you!
aa: mute ? suspense ? the flip for this fine 12inch features the brothers mute, with a massive debut vinyl release! >suspense< has got skanker written all over it, reminiscent of the days grooverider was dropping adam fs seminal track >metropolis< on dub. modern production values are infused with the sweaty funk of 90?s dancefloor tech. heavily influenced by the sounds of photek and, more recently, break with technical drum programming and a bassline to trouble any bass bin as they looking backwards to move forward. you wont miss it when this tune drops.. bassface time! featuring on baileys 1xtra show several times last year this is not a tune to miss out on. both tracks have been receiving heavy support from bailey, lomax, survival & break.

another topical 12inch from the familiar sv brand, for your stylish yet sweaty boogie nights... side a: riccio remarks his own true remixing abilities with this first track on side b. distant sounds of a glittery era blend perfectly with the tricks of nowadays in a track that is as ever stopping as explosive on the floor. side b1: perfect strings and horns crescendos do the job. this should equally appeal to both straight and gay crowds... pure paradise garage in spirit. side b2: hold tight for the final surprise. yes, this 3rd track in the 12inch knocks in a rather unexpected, slightly latin flavoured intro.

often sampled in house music trip to your mind brings bags of old school groove dressed up in a slick 2010 remix. funky guitars, soulful vocals and 4/4 bassdrum we guarantee this track as floor killer. power to the hour is another nice surprise from the same bag sounding more strictly disco funk (imagine a sweaty disco cookie by sylvester)...

its been a while since the last rsb release, but then tracks like this dont come along every day! for their first vinyl appearance on a label other than their own, enigmatic german duo ancient methods do the honourable thing and break out the whip, a track that comes across like a 2-step party in the foundry of thor himself. lets lazily label it anvil techno, because as far as we are aware no has yet invented a genre that adequately desribes music such as this. and as we have come to expect, much the same can be said of the evil sickness that is eat like hawks by bjorn svin (with a little help from karsten pflum, jona olesen & copyflex!). it starts like it means to go on, with a gnarled loop and indecipherable distorted vocals, and is gradually tweaked and augmented to the point of destruction. all manner of ill bass, overdriven filters, zaps, clanky drums & feedback join the party before the whole affair is brought to an abrupt end by the strange foreign lady that we have come to know and love over the course of the track. truly music for small, sweaty, strobe-driven cellars.

dirty, sleazy, mean and in your face pumping chicago electrotechno jack from upcoming the hague talent baz reznik on the ever impressive sd records label. it has that beloved la haye roughness that makes it essential for sweaty, hypnotic dancefloors and dark afterparties.

is time for a brasilian-german-canadian connection through this new defrag// release. robert babicz and pan/tone at the control remixing gui boratto and delivering two finest gems. babicz show his skills with an elegant andpowerful tune - driving and hypnotic with that super fat sound that only robert have. on the other side we proudly welcome our friend pan/tone on board, his debut for us is a percussive and sofisticated tune with an old schoolappeal. more will come soon from this man on defrag//, stay tuned.

vinyl only release !!! you didnt think we would let you go after just one hit, did you? rest assured, what you just heard was the gong ringing round two! shimmy sham. the act of getting a piece of the muffin… in the end, just anoooooooother word for sex. lets try our new knowledge in a sentence, shall we: silky soul singer: hey lady, so how tonight you let me get a lil shimmy sham grace mendoza: whaaaaaaats going on with you? i see no ring on those fingers!?!?! in the heat of the night, let those sweaty numbers melt down any worries. no top hat and gator shoes required… just shake that ass.

lfm (love for music) or more commonly known as stilove4music is back with a straight banger from detroit and what a treat it is. with countless releases under his belt and with kdj, theo parrish & marcellus pittman under the 3 chairs moniker, the godson aka rick wilhite is already a legend in his own right. his productions are simply unique. can you feel me is ricks second offering for lfm. it is a deep, relentless detroit house joint perfect for the late late night set. dj marquis – a newcomer on the detroit house scene – set things straight with a soulful house jewel – head over heels that somehow should make any new jersey producer worried for a minute. finally, tj dumas, one of the creator of the beatdown crew, set things straight with his personal vision of disco. these are the lost tracks from detroit, songs made by detroiters for detroits sweaty dancefloors. enjoy a rare piece of music. ltd backstock

two of the biggest producers to emerge from the uk garage scene, mj cole and zed bias have delivered numerous bangers, spanning many genres over the years. collaborating on this 3 track release for prolific recordings and roping in mc fox, the duo have delivered an ep that defies boundaries and will smash up dances from the most underground uk funky bashments thru to sweaty nights at underground spots like fabric live … all the tracks have a common theme, dope, hard edged club beats… enjoy!
- bbc radio 1: gilles peterson and toddla support achieved. annie mac a fan. seani b support incoming.
- bbc 1xtra: mistajam, benji b and redlight support achieved.
- kiss: sinden support achieved.
- ministry radio: james mountain, ross allen and greenmoney support achieved

aduly only 36 introduces yakine on a + b with a julien chaptal remix. drop it - a jackin, upbeat house cut with lots of bounce to the ounce. solid groovy swing, thick bassline, and some bboy vox stabs for some in yo face hits. nice and tracky, take it to for a lengthy mix in or out, its a pick up. stickney - punchy and tracky with a tight roll for a smooth, jazzier drop stickney is asking for a prime time spot in the set. splashed with a little chi filter, the bassline roll brings the kicker. hot track with smoldering style. julien chaptal remix has a pop-lockin house feel to it with its sliced and diced elements, this is a tight jam. sweet build for a stack full of speakers, could be dirty or classy, either or this tracks works a sweaty floor.